ART210 | 210SYL | ART310 | 310SYL | BIBLIO | SCHEDULE | HOME


secheverry at | BAS 131 | 813 - 253 3333 x 3769
Office hours by appointment only
Tue / Thu 3:30 - 5:00PM

• A. Michael Noll, Introduction to Telecommunications Electronics

• Gilles Lipovetsky, Era of Void

• Gilles Lipovetsky, The Empire of Fashion

• Rodolfo R. Llinás, I of the Vortex

• Javier Sampedro, Deconstructing Darwin

• Martin Heidegger, Sein und Zeit - Being and Time

• Erving Goffman, Interaction ritual

• Preece/Rogers/Sharp, Interaction Design

• Dix/Finlay/Abowd/Beale, Human-Computer Interaction

• Celia Pearce, The Interactive Book

• Omar Calabrese, The Neo-Barroque Era

• Gilles Deleuze & Felix Guattari, Rizoma

• Gianni Romano, Artscape

• Keith Cameron, Multimedia Call: Theory and Practice

• Laurence Strene, Tristam Shandy

• John Wiley & Sons; (July 1994), Analogous Digital

• Stanley Aranowitz, Barbara Martisons & Michael Menser, Technoscience and Cyberculture: A Cultural Study

• Jean Baudrillard, Simulacra and Simulation

• Martin Davis, The Universal Computer: The Road from Leibniz to Turing

• Régis Debray, Vie et mort de l'image : une histoire du regard en Occident.

• David Deutsch, The Science of Parallel Universes-And Its Implications

• Mark Dery, Escape Velocity: Cyberculture at the End of the Century

• Silvio Gaggi. From text to hypertext. Decentering the subject in Fiction, Film, the visual arts and Electronic Media.

• Oliver Grau. Virtual Art: From Illusion to Immersion.

• George P. Landow, Hypertext 2.0: The Convergence of Contemporary Critical Theory and Technology (Parallax - Re-Visions of Culture and Society)

• Pierre Levy. La machine univers: Création, cognition et culture informatique

• Peter Lunenfeld (Ed.). The digital dialectic. New essays on new media

• Lev Manovich. The Language of New Media

• Philipe Quéau, Le virtuel : vertus et vertiges. Champ Vallon ; Institut national de l'audiovisuel.

• Sherry Turkle, Life on the screen

• Paul Virilio, The Vision Machine